Marathon Viewing This Year's Christmas Films: The Hits, The Misses, and The Guilty Pleasures.

‘Tis the time of year to lounge on the sofa and devour a box of mince pies in front of a terrific flick, a poor film, or one that’s terrible yet terrific.

As always, a selection of new holiday movies hopes to be part of our holiday traditions—potentially even joining the ranks alongside beloved favorites like Home Alone, Elf, Love Actually, and Die Hard (don’t start).

Thus, in a noble effort to distinguish the gems from the coal, and to find the Christmas spirit, I binged as many fresh holiday releases as possible in a single day.

First Up: The Jonas Brothers' Holiday Flick

Starting, hopefully, on a positive note. This release is the exclusive 2025 movie on a popular review site's list of the best 100 festive features of all time.

The musical trio are stuck in the UK after finishing their global concert series and must get home for Christmas. Their efforts are thwarted by an villainous Saint Nick, who breaks into song to state they won’t get home until they “find their brotherly magic.”

The back-and-forth between the arguing trio is enjoyable even for the non-fan, while followers will undoubtedly notice lots of easter eggs as they attempt to get back using all transportation available.

It’s private planes, trains and automobiles.

It’s not an all-time classic, but is great for devotees and a positive start to the day.

Festive score: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their family members who must sit through it.

Next: A Star in Panto

Hollywood star Kiefer Sutherland stars as a celebrity tricked into a pantomime.

“A panto-what??” asks Sutherland’s “temperamental” and ageing star Brad Mack, who has fallen on hard times and whose manager has tricked him into thinking he’s performing in high-class London stage.

His Aladdin fellow actors let him know he’s playing Buttons. “No I'm not,” he insists angrily. One can imagine their reply. Unless you’re ignorant of traditional panto catchphrases.

There are some great jokes, some heartwarming side stories, and the ensemble is cracking, too.

It’s the sort of feature that would be a bit naff at another season, but is a great entertainment at Christmas.

Holiday verdict: 🎄🎄🎄🎄

Mid-Morning: Christmas Karma

Danny Dyer shows up at the start of this film, too, delivering a signature line for the next movie straight. Might this become a new Christmas tradition?

This time, he’s a musical taxi operator who picks up Mr Sood, the latest spin on Mr Scrooge from Charles Dickens’ A Christmas Carol.

Mr Sood is played by The Big Bang Theory’s Kunal Nayyar and Christmas Karma is directed by the filmmaker behind Gurinder Chadha. The classic narrative develops as the stingy Mr Sood is confronted by the ghosts of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.

This Indian Scrooge is at least distinct from all the others, but sadly he’s not very compelling and Nayyar’s acting is lifeless—a significant issue when he’s so the main character.

Holiday verdict: 🎄🎄

12.04pm - Stuffed

There’s time for a major broadcaster's holiday special—which stars Guz Khan as a endearingly grumpy man who “isn't big on Christmas.”

But after he receives an large festive windfall at work, his wife (portrayed by Morgana Robinson) talks him into spending the sum on a vacation to Lapland.

There’s just one problem—he finds out there was an mix-up with his bonus, which should have been £800, and he has to determine how to reimburse the excess.

Enjoyable but forgettable.

Festive score: 🎄🎄

Early Afternoon: Champagne Problems

This is one of those holiday movies where the festive trappings are in the backdrop—Christmas is the environment of the film rather than its raison d’etre—but it feels warm and holiday-like all the same.

High-powered businesswoman Sydney (starring Minka Kelly) is dispatched to a vineyard to do a deal for a sparkling wine company. On the way, she meets a man in a book store who offers to show her a festive Paris.

An expert recently stated this is the top new Christmas film of the last several seasons. That’s a bit of a overstatement, but it is a festive dalliance with a hint of sophistication and gives the necessary warm and fuzzy feels.

The scene with a detailed conversation about Die Hard is notable too.

Festive score: 🎄🎄🎄

Mid-Afternoon: Finding Father Christmas

Teenage Chris, played by Lenny Rush, continues to believe in Father Christmas, despite the efforts of his dad (starring James Buckley) to tell him the reality.

The truth is somewhere, and Chris sets out to find it with the guidance of a group of well-known scientists and personalities.

It’s understated but endearing, and good viewing while expecting Santa to visit.

Festive score: 🎄🎄🎄

4.39pm - Oh. What. Fun.

Michelle Pfeiffer is the head of a bickering American family who come back together for the holidays—including other acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.

Pfeiffer opens by name-dropping Christmas classics like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before stating: “They need to make a movie about the unsung heroes of the holidays—moms.”

So that’s what this is, but in practice it’s really a combination of those aforementioned movies, at least until Pfeiffer’s character at last takes center stage.

Festive score: 🎄🎄

Evening: A Scottish Christmas Secret

The day’s taken a dip, but thankfully here’s a new addition in the crowded field of cliched, saccharine, over-the-top—and strangely compelling—seasonal comfort food.

It’s a story as well-worn: An American woman goes on a quest to a distant snowy land and ends up discovering romance.

In this case, Caprice Bourret plays a publisher

Melinda Lane
Melinda Lane

Elin is a business strategist with over a decade of experience in helping startups scale and established companies innovate in the Nordic market.

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